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Issue #165
by L. Swift and Jeff McQ
Control Room in Maui Recording
Film Connection mentor Deen Olatunji
Because of the direct involvement Deen provides his students, he naturally is a bit specific, even selective, with the apprentices he takes on.
“The interview process is very detailed,” Deen explains. “I get to understand then, see their perspective. And I usually take people that I feel are passionate and really want to do this, not just because they want a job, but they’re really looking into making films, and they have long term goals.”
For students who make the cut, Deen puts them in positions that accentuate their skills, helping to integrate them into the team.
“Anan has exceptional management skills,” says Deen. “He’s so passionate about filmmaking, exceptionally passionate. I mean, he has his nine to five, but you know, sometimes he’s here 14 hours on Saturday, 14 hours on Sunday, and then he goes to work the next day. To me, that tells you he loves what he does…Noah is so technical. He can resolve any technical issue without any experience. I mean, he can look at a camera, broken camera, fix it in a short time even while in production. Shaun has exceptional soft skills: the way he relates to people, relates to issues, he’s able to communicate effectively [the] things that we’re trying to do with clients. So that’s why he has been handling all the things that have to do with production. The same thing as David, very technical. His editing skills are off the chain…”
Even while enabling his students to collaborate on productions, Deen makes sure to maintain the one-on-one connection with each student. “I don’t believe in one size fits all,” he says. I’m the kind of person that has a one to one communication with every single person that works with me. It doesn’t matter where you’re coming from. I take my time every week to call them. I take my time every week to ask them where they are, where they’re going…to repeat the goals, where their milestones are, and what challenges they have.”
While these opportunities definitely allow the Film Connection students to grow and gain experience, Deen sees it as a win-win for his own studio, as well. “We do have a very good team,” he says. “We’ve worked the synergies there, and I think they are really, really good. I think based on what they’re [being] taught from the film school, I can tell they’re actually learning a lot because I’m probably picking the right people.”
Even in the process of mentoring students, Deen feels he gets back every bit as much as he gives. “I think one thing I’ve learned from this is one of the biggest ways to learn is to teach,” he says. “I’ve learned a lot from these guys…You’d be surprised how much you learn just by relating to people…I’ve learned a lot just by teaching. And it’s amazing. It’s so phenomenal and I’m really appreciative of that.”
Recording Connection mentors Lij Shaw and Jamie Tate got into the mix during our recent Anatomy of the Mixes workshop at The Rukkus Room (Nashville, TN). Thanks to all who attended (the audiophilia was real) and thanks to Becki Sessions, Regional Director of RRFC Nashville, for getting our Nashville peeps together. More to come!
Recording Connection student Tyler Saderup (Anaheim, CA), who apprentices with Romeo Williams at Shelter Sound Studios, is seeing how far he’s come in just a matter of months: “I look back at when I first started, ignorantly thinking I was somewhat of a musical genius. Little did I know I had a very broad spectrum of knowledge to acquire. I went out and got it though. With the help of my mentor Romeo it is all becoming possible now…I have more weapons than ever before to make me a dangerous music producer and sound engineer. The experience has been amazing, and it has changed me along the way.”
Film Connection student Zareefa Abdul-Adl (Philadelphia, PA) who apprentices with mentor Rocco Michaluk of Rocco Films, is enjoying the first-hand education she’s getting: “Rocco really taught me how to make this dream a reality and I learned how to shoot with the camera, direct, script feed, produce, lighting, different angle shots and etc. It was long days and multiple cuts but the crew hung in there as if we were building something we knew would be great once complete. I really enjoyed the whole experience and I can’t wait to do it again.”
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