
When you’re learning on the job in a real recording studio, you never know when it will happen: the chance to work with a major band or artist. For
Recording Connection student
Brandyn Zellmer, who apprentices in Des Moines, Iowa, it came in the middle of a family event.
“I was at my cousin’s wedding,” he explains.
“Jon, my current mentor, texted me and asked me if I would like to potentially set up for a famous band. I was like, ‘Yeah, sure, why not?’”
It turned out the band was Lady Antebellum, who were in town on a tour stop at the Iowa State Fair. The call was to do last-minute vocals for the soundtrack of an upcoming remake of
Dirty Dancing.
“They flew out a producer, his name’s Alex,” says Brandyn.
“And so I set up the mics and ran the patch bay and stuff and got to meet everybody…They did a three-part harmony for it, and so that was really neat to watch them in action and seeing one by one and how everything kind of fell together.”
A lifetime musician, Brandyn says his interest in recording began as a teenager when his rock band went into the studio to record a demo.
“I just thought it was awesome how everything was captured,” he says,
“and just the whole fundamentals of the recording process.”
However, after starting on a music major at a local community college, Brandyn soon realized he needed more than he was getting as far as technical knowledge was concerned.
“After the first year, I kind of realized that it was going to be about two years of general education, and that’s not exactly what I was looking for,” he says.
“I was looking for more of a live production kind of thing or even studio production. So then I started looking into…recording schools and my mom was actually the one who stumbled across the Recording Connection.”

Recording mentor Jon Locker
Brandyn enrolled in the program and was placed as an apprentice at
Sonic Factory Studios, where he split his time between two mentors at the studio—Matt Sepanic, and his current mentor, studio owner Jon Locker. Brandyn’s mentors wasted no time in filling in the gaps in his technical understanding.
“Matt really showed me the technical side of things and the sciences behind it,” says Brandyn,
“and how everything translates into the digital world and the analog world…Jon has done a lot of hands-on stuff with me. So I mean, he sits me down and—like today, we did about an hour on Melodyne, the vocal editor…He’ll show me the ins and outs of that, and then he’ll actually sit down and watch me perform with a certain plug-in or within a certain alteration to correct me in my mistakes and tells me the things that I did well.”
As Brandyn has honed his skills, he’s continued to earn his mentor’s trust, leading not only to the session with Lady A, but also opportunities to record his own demos as part of a sibling duo with his brother, and even sessions for other clients!
“I’m at the point now with Jon that I’m actually doing my own solo sessions and stuff,” he says.
“I do some hip-hop artists and then some singer-songwriter stuff. I just got done doing a project for a lady who had drums, horns, keys, a choir, actually, and then two lead vocals. So that was, I suppose, my biggest project to date that I had to tackle by myself and yeah, it was great. At the end of the day, I know that if there’s anything that I’m uncertain about, if there’s anything that I feel needs fixing, I have Jon right there beside me to tell me what I need to do.”
Between his newly acquired skills, client opportunities and his own music projects, Brandyn has a full life these days, both recording in the studio and performing around town.
“I’m definitely a very busy person, that’s for sure. Not a lot of free time,” he says.
“I’m recording and mixing and editing a good majority of the time.”
Having now been through the program, Brandyn offers advice to other students on how to make the most of their apprenticeships:
“Definitely take the book work seriously,” he says,
“because that is going to help you really understand the fundamentals of it. But there’s no substitution for hands on experience. You could read a book until you’re blue in the face, but at the end of the day, getting into the studio and sticking with your lessons and watching them do their work, and then translating that into your work…is really the most important aspect, in my personal opinion.”
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