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Issue #202
by Liya Swift
David Brik Laufer, Carlos and Bae Frontera, Rafa Sardina and wife Tami Sardina at The Latin Grammys 2017 (Jeff Riggs in front)
The path to success isn’t always a straight one. In fact, it rarely ever is. No one knows this better than Recording Connection mentor Jonathan Rego (Los Angeles, CA) who started out as a recording and mixing engineer in his late teens and early twenties. From there, he ventured into the world of post-production and worked on multiple theatrical trailer campaigns as a sound editor on the Universal Pictures lot.
Today, Jonathan operates in Los Angeles and the Bay Area as an A&R for Fearless Records and also manager for mastering engineer Piper Payne of Neato Mastering (Oakland, CA) and Sam Pura of The Panda Studios (Fremont, CA), both of whom are Recording Connection mentors as well! We recently caught up with the on-the-go music maker to learn more about his journey and to gleen a few valuable insights. Enjoy!
RRFC: Could you tell us what you do as an A&R, day to day?
Jonathan: If I were to summarize it, the A&R side is artists and repertoire, which means you’re not only seeking out talent, whether that be [unsigned] bands or solo artists or bands that are just coming out of their record deals and may be looking for a new label, but you are also heavily involved on the creative side, when branding a band or figuring out what story to tell in order to sell records.
RRFC: Having started out as an audio engineer, how did you end up getting hired in A&R?
Jonathan: One of my friends was heavily involved in the A&R side. He’s been at Fearless for two and a half years now on the A&R side, and I had worked with him as a producer/manager. They had done lots of projects with lots of my people I represent, and when there came an opening to bring in someone to be involved in a support role for the A&R side, my friend reached out to me and said, “I think you’d be perfect for it. Why don’t you come in?”
RRFC: Does your audio engineering knowhow enhance your ability to be an effective A&R?
Jonathan: Absolutely. Yeah. Being able to speak the language goes a long way as far as being able to get other people to understand what changes you want and get things done faster. Basically, if you come from the engineering side or the producer side, you can say, ‘Well, I know what the personalities are like in this band and I know what they’re looking for sonically. I think that this producer checks all the boxes,’ and not only from a personality standpoint, but from a sonic perspective, this producer is going to give them what they want…
And then also once you’re getting mixes back, like once it gets to the mixing phase and you’re listening to stuff [you can say], “Man, that lead guitar needs to come up three or four decibels,” or, “That kick drum is way too round. It needs to have some frequency taken out of it because it’s muddying this whole mix.” Being able to just communicate that to a producer, to an engineer, to a band, that’s so key and so vital, because if you didn’t know how to speak the language, you’re kind of just sitting there like, “I don’t know what’s happening here. It just doesn’t sound good.” And then people just don’t really have a direction. They’re like, “Okay. You don’t really have notes for me. I don’t know how to interpret what you’re saying.” It just makes the whole process way too long and stressful and strenuous.
RRFC: What’s your advice for people who know they want to work in music but don’t yet know exactly what they’d like to do?
Jonathan: You’re never going to know what you want to do until you try something, and you shouldn’t just hold back just because you feel like you’re in a spot where you’re like, “Well, I don’t want to go that route, because what if I don’t like it?” Well, guess what, you’re never going to know if you don’t like it unless you try it.
RRFC: Any advice on how Recording Connection students can make the most of the program while they’re in it?
Jonathan: If you’re trying to get the most out of the Recording Connection, you just have to be able to say, “I realize that the minimum amount of time that I need to show up is this many days or this many hours, but I need to go above and beyond and I need to see if I can actually be here more than what the minimum amount of time is. I need to try to be here the maximum amount of time,” because that’s when you’re going to get the most out of it, and that’s also when you’re going to be around when opportunity presents itself. The more that you’re involved and present and around, it’s just a greater chance for you to get those opportunities that could lead to a successful career, or maybe the next path in your life.
Learn about our Music Business Program.
Despite having just wrapped a jam-packed shoot for a TV series, when Film Connection student Jacob Sizemore pitched his own short film “Song of Silence” to his fellow students and mentor Deen Olatunji at Rehoboth Pictures (Dallas, TX), they agreed to crew up and make his movie a reality. Of course, challenges were met along the way: “This was to be the hardest project I had worked on yet… the first few days the weather was horrible, actors showed up late, extras canceled, and props either went missing or broke. Despite all that, the actors that I had pulled out really good performances, the cinematography in the film is very impressive, and the crew members were able to push through tough times. I am very proud of all of them…
The final day of shooting was one big race against time and I’m glad to say, despite a few setbacks, we pulled it off and I’m happy with what we have on film. I am so happy to have been able to go through this experience and work with all these amazing people, at the same time I miss my bed. I’m eager to start editing the film so that we can see where it will go from there.”
Since studying with mentor Joey Paranoia, Recording Connection student Emily Stamer aka LUCY (Orlando, FL) has kicked her DJ career into high-gear, blazing trails in the Space Bass EDM scene. She’s played countless Orlando and Miami clubs, opened for Yheti, Shlump, The Widdler, Digital Ethos, Conrank and more. Lucy’s played festivals Zen Awakening, Fractal Beach and will be playing the Asteria Music Fest (again) and The Untz in California, happening in June. She’s released her Abduction EP this past January and has a new track dropping on a female compilation on ThazDope Records on the 13th! Hear a track by LUCY below!
Find her on Instagram @LucyWub
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